Workshop with Aris Daryono

On Friday we had an excellent workshop with visiting tutor Aris Daryono. Aris is a musician, composer and teacher based in London, and he travelled up to spend the afternoon with us in the Observatory teaching us new pieces with a focus on Jogya style ornamentation.

We spent the first half of the afternoon learning Ladrang Uluk-uluk, a piece that is often played before the beginning of performances in order to attract the attention of people in the vicinity and encourage them to come and listen. Unlike a lot of the music we’ve played before, there’s so much ornamentation in this style that every instrument was playing a different variation, and there were sections in which nobody was actually playing the written balungan (skeleton/melody) part.

We also worked on some srepegan and sampak with singing – particularly good practise for our listening skills as this involved lots of transitioning between different sections and listening out for signals from the drum in order to know when to do so. We had the additional challenge of learning the vocal melodies from the numeric notation that is predominantly used in gamelan music, which takes a bit of getting used to for those of us who are more familiar with Western score notation!

We’re hoping to do some more work on all of these new pieces in the near future and add them to our repertoire.

Wilujeng for the New Year

We began our first session of the year by playing through Ladrang Wilujeng. This piece is often played as a “welcome” at the beginning of events and concerts, as it is associated with good luck and prosperity – so an appropriate way to start off 2018.

Here’s a video from a few years ago from the 2013 “Gamelanathon” at the South Bank Centre, with members of five different gamelan groups (including Durham) all playing this well-known piece.